Skip to main content

Hall and Sultan family coming back from their legendary picnic

Hall and Sultan family on their legendary picnic

Looking at this picture I wonder. There is that sense of happy proximity that families sometimes get. How can the little boy in the middle of the carriage look like my grandfather? And yet he does. He is smiling at his grandmother who has just said something to him. 
Granny and Arthur sit comfortably together on one side. Granny Hall doesn't bother to turn to camera, she sits comfortably, but Arthur does turn a little, and his body faces his mother and his arm touches the drape on the side. 
Gertrude Sultan (nee Hall) and he husband Mr Sultan on a visit from Gwalior are on their feet at the back. Gertrude smiles from a long way away. Perhaps she is thinking of us looking at this picture. She's conscious of her husband at her side. Of facing her brother. Of her mother speaking to John.  She has crafted this moment. Perhaps the picnic was her idea. She's a mover and a shaker. When the photo has been taken they will sit down again. Square to Arthur and Granny Hall. 
And at the front their children face forwards, alert at the same angle. Master Sultan smiles broadly.This is fun. The blanket on his legs making him seem feminine. He shares a worn blanket with his sister, who is 15 perhaps - Edith Sultan. 
And she is not at all at ease. She's tall, but slouches a little forward protectively. You would expect her to be friends with Connie. To sit next to her. But Connie is at the back of the carriage, hiding behind John. Connie could easily move and her head would show, but all we see is one eye and cheek. Before this picture was taken, at the beach the two girls stand well apart. It's hard to think well of Connie, the colonial teenager.
Edith is right at the front, outside the group, her bum almost on the edge of the seat, and she turns away from the driver who doesn't look at the camera, but looks at her unsmiling, unpleasantly, his whip erect. Philip Hall seems to look at the camera, but close up you see his eyes swivel. He too looks at her, curious. His body is inserted between that of the driver and Edith, he looks a little squashed. The brim of his hat folded against the driver's arm.
The horses have hardly moved while the picture was being taken. Stock still, is the expression. They are tired. In South Africa Connie, John, Philip and Arthur periodically go for long trips in the Lowveld in a carriage the size of a small room, pulled by at least 12 oxen.
 Mr Sultan is an administrator. A minor member of the the family of the Maharajah of Gwalior. He is the private secretary to the Maharajah. An administrator, a bureaucrat. Do they live in a room in the vast palace in Gwalior? They must do.

This family that will continue on it's journey back to Clifton. Prescience. Here is the story of a passage to Bristol. Of the incoming tide, of the empire in outrush gathering back. Ebbing briefly. Here it is. 

Comments

Popular posts from this blog

Guardian: Kate Harding's reactionary censorious blog on CiF

It should go without saying... ....that we condemn the scummy prat who called Liskula Cohen : "a psychotic, lying, whoring ... skank" But I disagree with Kate Harding , (in my view a pseudo blogger), posting her blog in the Guardian attacking bloggers. It's a case of set a thief to catch a thief. The mainstream media is irritated by bloggers because they steal its thunder and so they comission people like Kate Harding , people with nothing to say for themselves, apparently, other than that they are feminists, to attack bloggers. I'm black. So I can legitimately attack "angry white old men". I'm a feminist, so I have carte blanche to call all anonymous bloggers "prats." Because yes, that is her erudite response to bloggers. No I don't say that the blogging medium can't be used to attack progressives in whatever context. Of course it can. But to applaud the censorship of a blogger by a billion dollar corporate like Google, and moreov...

The Guardian books bloggers' poetry anthology

There more to composing poetry online than this. ..isn't there? I don't really like conventional poetry of knowing. I love the poetry of words coming into being. The Guardian is going to publish a printable book online with our poems in it and the Irish poet, Billy Mills is getting it together with Sarah Crown, the literary editor. Good for them. Let's also remember that Carol Rumens got the ball rolling. Does Des feature in this anthology? Taboo-busting Steve Augustine decided not to join in. So what are we left with? In the anthology we will be left with a colourful swatch of well-meant, undeniably conventional, occasionally clever, verses - some of them. But there could be, there should be and there is a lot more to on-line poetry than this. Than agile monkeys, koalas and sad sloths climbing up word trees. Perhaps we should focus in on translation, because in translation there is a looseness of form and a dynamism such as, it seems, we can't easily encounter in our...

Guardian books blog fringe: Norman Mailer

FLASHING THE GUARDIAN -- A BOOKS BLOGGERS' REBELLION :  The unheroic censor with a death wish Part 1: In which Norman Mailer stars in an experiment in search engine optimisation By ACCIACCATURE 3 February 2009 When Norman Mailer died in 2007, informed opinion – in the blogosphere, people who had read at least two of his books – was split. The army of readers who saw him as one of the most despicable misogynists writing fiction in the 20th century was perfectly matched by warriors on the other side, who raged that the label wasn’t just unwarranted but tantamount to heinous calumny. Before commenters returned to bitching-as-usual, tempers were lost on literary sites all over the net in debating temperatures high enough to bring to mind tiles burning off space shuttles re-entering Earth’s atmosphere. After I'd agreed to a spontaneous suggestion by our good friend Sean Murray -- a pioneer and stalwart of the comments section of The Guardian’s books blog – that we re-...